Exhibitions
A selection of exhibition-based works exploring memory, place, and quiet observation. These projects span photography, drawing, and installation, often reflecting the interplay between inner and outer landscapes.
Fathom (2024)
Solo Exhibition, Lounge Room Gallery, Sauerbier House
Fathom reimagines found objects from Port Noarlunga as sculptural forms, documented through photography and drawing. Created during a residency at Sauerbier House (supported by City of Onkaparinga), the work traces layers of memory held within these materials.
Each fragment is catalogued with care, echoing the ocean’s rhythms—eroding, merging, transforming—mirroring the fluid nature of place, time, and change.
Light Traces (2023)
Solo Exhibition, Studio Kura
Light Traces was created during a month-long residency at Studio Kura in Itoshima, Japan. This body of work explores the presence of personal and collective memory within both built and natural environments. Through photography and mixed media, Révész traces the ephemeral nature of memory — deconstructing and reassembling fragments of place and encounter.
I felt this memory
As I drifted through these spaces—
light passing through,
lightly passing through.
Leave nothing but traces of time and feeling.
Take nothing but traces of time and feeling.
Light passing from my memories to yours,
drifting in and out of being,
shining through the fragments we built and joined.
Divine Machina (2022)
Solo Exhibition, Praxis Artspace Gallery
Divine Machina explores the human body in an age of accelerating artificial intelligence. As we edge toward a future shaped by machine beings and augmented minds, Révész reflects on the shifting boundaries between flesh and circuitry.
Through photography and installation, fragmented bodies and reconstructed forms hint at an unsettling evolution — where grief for our human past meets awe and unease at what lies ahead.
Architecture of Memory (2021)
Solo Exhibition, Projects Space, Linden New Art
Architecture of Memory explores how the body holds and reconstructs memory of built environments. Drawing on phenomenology and affect theory, the work investigates how we move through spaces—and how those spaces linger within us, shaping our perception and presence over time.
How does a body pass through a space, and what remains in its absence? How might a space re-emerge within the body, surfacing again through time and movement?
Created with support from Linden New Art and Helpmann Academy. Photography and video by Mathieu Vendeville, courtesy of Linden New Art.
